When it pertains to ending up being a wonderful jazz improviser, it's everything about learning jazz piano Improvisation exercises language. So unlike the 'half-step listed below approach' (which can be outside the scale), when approaching from above it sounds far better when you maintain your notes within the range that you're in. That's why it's called the 'chord scale above' technique - it stays in the scale.
So rather than playing two eight notes in a row, which would last one quarter note ('one' - 'and'), you can separate that quarter note right into three '8th note triplet' notes - where each note of the triplet coincides length. The initial improvisation strategy is 'chord tone soloing', which suggests to make up melodies making use of the four chord tones of the chord (1 3 5 7).
I normally play all-natural 9ths over many chords - consisting of all 3 chords of the major ii-V-I. This 'chordal texture' seems finest if you play your right-hand man noisally, and left hand (chord) a little bit quieter - to make sure that the listener hears the melody note on top.
It's fine for these units to find out of range, as long as they end up settling to the 'target note' - which will typically be just one of the chord tones. The 'chord scale above' method - come before any kind of chord tone (1 3 5 7) with the note above. In songs, a 'triplet' is when you play three uniformly spaced notes in the space of two.
Now you can play this 5 note scale (the incorrect notes) over the very same C minor 7 chord in your left hand. With this strategy you just play the same notes that you're currently playing in the chord. Chord scale over - half-step listed below - target note (e.g. E - C# - D).
KEEP IN MIND: You likewise get a great series of steps to play, from 7 - 1 - 9 - 3 - if you want to play a short scale in your solo. Nevertheless, to quit your playing from seeming foreseeable (and break out of 8th note pattern), you need to differ the rhythms now and then.
So rather than playing two eight notes in a row, which would last one quarter note ('one' - 'and'), you can separate that quarter note right into three '8th note triplet' notes - where each note of the triplet coincides length. The initial improvisation strategy is 'chord tone soloing', which suggests to make up melodies making use of the four chord tones of the chord (1 3 5 7).
I normally play all-natural 9ths over many chords - consisting of all 3 chords of the major ii-V-I. This 'chordal texture' seems finest if you play your right-hand man noisally, and left hand (chord) a little bit quieter - to make sure that the listener hears the melody note on top.
It's fine for these units to find out of range, as long as they end up settling to the 'target note' - which will typically be just one of the chord tones. The 'chord scale above' method - come before any kind of chord tone (1 3 5 7) with the note above. In songs, a 'triplet' is when you play three uniformly spaced notes in the space of two.
Now you can play this 5 note scale (the incorrect notes) over the very same C minor 7 chord in your left hand. With this strategy you just play the same notes that you're currently playing in the chord. Chord scale over - half-step listed below - target note (e.g. E - C# - D).
KEEP IN MIND: You likewise get a great series of steps to play, from 7 - 1 - 9 - 3 - if you want to play a short scale in your solo. Nevertheless, to quit your playing from seeming foreseeable (and break out of 8th note pattern), you need to differ the rhythms now and then.