Prepared to enhance your jazz improvisation skills for the piano? A lot more just, if you're playing a tune that remains in swing time, then you're already playing to a triplet feel (you're thinking of that each beat is separated into three 8th note triplets - and every off-beat you play is delayed and played on the 3rd triplet note (so you're not also playing 2 equally spaced 8th notes to begin with).

So instead of playing 2 eight notes straight, which would last one quarter note ('one' - 'and'), you can split that quarter note into 3 '8th note triplet' notes - where each note of the triplet coincides length. The very first improvisation technique is 'chord tone soloing', which implies to make up tunes utilizing the 4 chord tones of the chord (1 3 5 7).

I generally play all-natural 9ths above the majority of chords - including all 3 chords of the major ii-V-I. This 'chordal structure' appears ideal if you play your right-hand man noisally, and left hand (chord) a little bit quieter - to ensure that the listener hears the melody note on top.

Merely come before any type of chord tone by playing the note a half-step listed below. To do this, walk up in half-steps (via the entire chromatic range), and make note of all the notes that aren't in your existing range. Cm7 voicing (7 9 3 5) with single melody note (C) played to interesting rhythm.

Now you could play this 5 note scale (the wrong notes) over the same C small 7 chord in your left hand. With this method you just play the exact same notes that you're already playing in the chord. Chord scale over - half-step listed below - target note (e.g. E - C# - D).

Many jazz piano Improvisation exercises piano solos feature an area where the tune quits, and the pianist plays a collection of chord voicings, to an intriguing rhythm. These consist of chord tone soloing, strategy patterns, triplet rhythms, 'chordal appearances', 'playing out' and extra.