Ready to boost your jazz piano improvisation rhythms improvisation abilities for the piano? More just, if you're playing a song that remains in swing time, then you're currently playing to a triplet feeling (you're envisioning that each beat is separated right into three eighth note triplets - and every off-beat you play is postponed and used the third triplet note (so you're not even playing 2 evenly spaced 8th notes to start with).
So as opposed to playing two 8 notes straight, which would certainly last one quarter note ('one' - 'and'), you can separate that quarter note into three 'eighth note triplet' notes - where each note of the triplet is the same size. The very first improvisation technique is 'chord tone soloing', which means to compose tunes utilizing the four chord tones of the chord (1 3 5 7).
I normally play natural 9ths over many chords - including all 3 chords of the major ii-V-I. This 'chordal appearance' sounds ideal if you play your right-hand man loudly, and left hand (chord) a little bit quieter - to make sure that the audience listens to the melody note on top.
It's fine for these rooms to come out of range, as long as they wind up resolving to the 'target note' - which will usually be just one of the chord tones. The 'chord range above' method - precede any type of chord tone (1 3 5 7) with the note over. In songs, a 'triplet' is when you play three equally spaced notes in the room of two.
Now you might play this 5 note range (the wrong notes) over the exact same C minor 7 chord in your left hand. With this method you just play the exact same notes that you're currently playing in the chord. Chord scale over - half-step below - target note (e.g. E - C# - D).
Many jazz piano solos include a section where the tune stops, and the pianist plays a series of chord enunciations, to a fascinating rhythm. These consist of chord tone soloing, strategy patterns, triplet rhythms, 'chordal appearances', 'playing out' and more.
So as opposed to playing two 8 notes straight, which would certainly last one quarter note ('one' - 'and'), you can separate that quarter note into three 'eighth note triplet' notes - where each note of the triplet is the same size. The very first improvisation technique is 'chord tone soloing', which means to compose tunes utilizing the four chord tones of the chord (1 3 5 7).
I normally play natural 9ths over many chords - including all 3 chords of the major ii-V-I. This 'chordal appearance' sounds ideal if you play your right-hand man loudly, and left hand (chord) a little bit quieter - to make sure that the audience listens to the melody note on top.
It's fine for these rooms to come out of range, as long as they wind up resolving to the 'target note' - which will usually be just one of the chord tones. The 'chord range above' method - precede any type of chord tone (1 3 5 7) with the note over. In songs, a 'triplet' is when you play three equally spaced notes in the room of two.
Now you might play this 5 note range (the wrong notes) over the exact same C minor 7 chord in your left hand. With this method you just play the exact same notes that you're currently playing in the chord. Chord scale over - half-step below - target note (e.g. E - C# - D).
Many jazz piano solos include a section where the tune stops, and the pianist plays a series of chord enunciations, to a fascinating rhythm. These consist of chord tone soloing, strategy patterns, triplet rhythms, 'chordal appearances', 'playing out' and more.
