It's all concerning learning jazz language when it comes to coming to be a wonderful jazz piano improvisation techniques improviser. So unlike the 'half-step listed below method' (which can be outside the scale), when approaching from over it appears far better when you maintain your notes within the range that you're in. That's why it's called the 'chord scale above' approach - it remains in the range.
So rather than playing 2 eight notes in a row, which would last one quarter note ('one' - 'and'), you can split that quarter note into three '8th note triplet' notes - where each note of the triplet is the same length. The first improvisation strategy is 'chord tone soloing', which suggests to compose melodies using the four chord tones of the chord (1 3 5 7).
I usually play natural 9ths over a lot of chords - consisting of all 3 chords of the major ii-V-I. This 'chordal appearance' sounds finest if you play your right-hand man noisally, and left hand (chord) a bit quieter - to ensure that the audience hears the melody note ahead.
It's fine for these enclosures to come out of scale, as long as they wind up solving to the 'target note' - which will normally be one of the chord tones. The 'chord scale above' technique - precede any kind of chord tone (1 3 5 7) with the note above. In music, a 'triplet' is when you play 3 evenly spaced notes in the space of two.
Currently you can play this 5 note scale (the wrong notes) over the exact same C small 7 chord in your left hand. With this technique you simply play the very same notes that you're currently playing in the chord. Chord range over - half-step below - target note (e.g. E - C# - D).
NOTE: You likewise obtain a nice collection of steps to play, from 7 - 1 - 9 - 3 - if you wish to play a brief range in your solo. Nonetheless, to stop your having fun from sounding foreseeable (and burst out of 8th note pattern), you require to vary the rhythms now and then.
So rather than playing 2 eight notes in a row, which would last one quarter note ('one' - 'and'), you can split that quarter note into three '8th note triplet' notes - where each note of the triplet is the same length. The first improvisation strategy is 'chord tone soloing', which suggests to compose melodies using the four chord tones of the chord (1 3 5 7).
I usually play natural 9ths over a lot of chords - consisting of all 3 chords of the major ii-V-I. This 'chordal appearance' sounds finest if you play your right-hand man noisally, and left hand (chord) a bit quieter - to ensure that the audience hears the melody note ahead.
It's fine for these enclosures to come out of scale, as long as they wind up solving to the 'target note' - which will normally be one of the chord tones. The 'chord scale above' technique - precede any kind of chord tone (1 3 5 7) with the note above. In music, a 'triplet' is when you play 3 evenly spaced notes in the space of two.
Currently you can play this 5 note scale (the wrong notes) over the exact same C small 7 chord in your left hand. With this technique you simply play the very same notes that you're currently playing in the chord. Chord range over - half-step below - target note (e.g. E - C# - D).
NOTE: You likewise obtain a nice collection of steps to play, from 7 - 1 - 9 - 3 - if you wish to play a brief range in your solo. Nonetheless, to stop your having fun from sounding foreseeable (and burst out of 8th note pattern), you require to vary the rhythms now and then.