It's all regarding finding out jazz language when it comes to coming to be a wonderful jazz piano improvisation techniques improviser. So unlike the 'half-step listed below method' (which can be outside the scale), when coming close to from above it seems much better when you keep your notes within the scale that you're in. That's why it's called the 'chord range above' technique - it remains in the range.
So instead of playing two 8 notes straight, which would certainly last one quarter note ('one' - 'and'), you can split that quarter note right into 3 'eighth note triplet' notes - where each note of the triplet coincides size. The very first improvisation method is 'chord tone soloing', which implies to make up melodies using the four chord tones of the chord (1 3 5 7).
For this to work, it needs to be the next note up within the range that the songs is in. This offers you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be put on any type of note size (half note, quarter note, 8th note) - yet when soloing, it's typically related to eighth notes.
Merely come before any chord tone by playing the note a half-step below. To do this, stroll up in half-steps (with the entire chromatic scale), and make note of all the notes that aren't in your present range. Cm7 enunciation (7 9 3 5) with solitary melody note (C) played to fascinating rhythm.
Currently you could play this 5 note range (the wrong notes) over the exact same C small 7 chord in your left hand. With this method you simply play the exact same notes that you're already playing in the chord. Chord range above - half-step below - target note (e.g. E - C# - D).
Most jazz piano solos include an area where the melody stops, and the pianist plays a series of chord expressions, to an intriguing rhythm. These consist of chord tone soloing, approach patterns, triplet rhythms, 'chordal appearances', 'playing out' and extra.
So instead of playing two 8 notes straight, which would certainly last one quarter note ('one' - 'and'), you can split that quarter note right into 3 'eighth note triplet' notes - where each note of the triplet coincides size. The very first improvisation method is 'chord tone soloing', which implies to make up melodies using the four chord tones of the chord (1 3 5 7).
For this to work, it needs to be the next note up within the range that the songs is in. This offers you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be put on any type of note size (half note, quarter note, 8th note) - yet when soloing, it's typically related to eighth notes.
Merely come before any chord tone by playing the note a half-step below. To do this, stroll up in half-steps (with the entire chromatic scale), and make note of all the notes that aren't in your present range. Cm7 enunciation (7 9 3 5) with solitary melody note (C) played to fascinating rhythm.
Currently you could play this 5 note range (the wrong notes) over the exact same C small 7 chord in your left hand. With this method you simply play the exact same notes that you're already playing in the chord. Chord range above - half-step below - target note (e.g. E - C# - D).
Most jazz piano solos include an area where the melody stops, and the pianist plays a series of chord expressions, to an intriguing rhythm. These consist of chord tone soloing, approach patterns, triplet rhythms, 'chordal appearances', 'playing out' and extra.