It's all concerning finding out jazz language when it comes to ending up being an excellent Jazz Piano Improvisation Techniques improviser. So unlike the 'half-step listed below technique' (which can be outside the scale), when approaching from over it seems better when you maintain your notes within the range that you're in. That's why it's called the 'chord scale over' approach - it stays in the scale.

So as opposed to playing two 8 notes straight, which would last one quarter note ('one' - 'and'), you can split that quarter note right into three '8th note triplet' notes - where each note of the triplet is the same length. The initial improvisation technique is 'chord tone soloing', which indicates to make up tunes using the four chord tones of the chord (1 3 5 7).

For this to work, it requires to be the next note up within the scale that the songs remains in. This offers you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be related to any note size (fifty percent note, quarter note, 8th note) - yet when soloing, it's usually applied to eighth notes.

Merely precede any type of chord tone by playing the note a half-step below. To do this, stroll up in half-steps (with the entire chromatic scale), and make note of all the notes that aren't in your existing range. Cm7 voicing (7 9 3 5) with solitary melody note (C) played to intriguing rhythm.

Now you could play this 5 note range (the wrong notes) over the same C minor 7 chord in your left hand. With this strategy you just play the very same notes that you're already playing in the chord. Chord range over - half-step below - target note (e.g. E - C# - D).

Many jazz piano solos feature a section where the tune quits, and the pianist plays a collection of chord enunciations, to a fascinating rhythm. These include chord tone soloing, technique patterns, triplet rhythms, 'chordal appearances', 'playing out' and a lot more.