Ready to boost your jazz improvisation abilities for the piano? Much more simply, if you're playing a song that remains in swing time, then you're already playing to a triplet feeling (you're picturing that each beat is separated right into 3 eighth note triplets - and every off-beat you play is postponed and played on the 3rd triplet note (so you're not also playing two uniformly spaced 8th notes to begin with).
So as opposed to playing two eight notes in a row, which would certainly last one quarter note ('one' - 'and'), you can divide that quarter note right into three '8th note triplet' notes - where each note of the triplet is the same length. The initial improvisation strategy is 'chord tone soloing', which indicates to make up melodies making use of the 4 chord tones of the chord (1 3 5 7).
I usually play all-natural 9ths over a lot of chords - including all 3 chords of the major ii-V-I. This 'chordal texture' sounds ideal if you play your right hand noisally, and left hand (chord) a bit more quiet - so that the listener listens to the melody note on top.
Just precede any type of chord tone by playing the note a half-step below. To do this, walk up in half-steps (with the entire chromatic scale), and make note of all the notes that aren't in your existing scale. Cm7 enunciation (7 9 3 5) with single melody note (C) played to fascinating rhythm.
Now you can play this 5 note scale (the incorrect notes) over the exact same C minor 7 chord in your left hand. With this method you just play the very same notes that you're already playing in the chord. Chord range above - half-step listed below - target note (e.g. E - C# - D).
The majority of jazz piano improvisation techniques piano solos feature a section where the melody quits, and the pianist plays a collection of chord expressions, to a fascinating rhythm. These consist of chord tone soloing, approach patterns, triplet rhythms, 'chordal structures', 'playing out' and a lot more.
So as opposed to playing two eight notes in a row, which would certainly last one quarter note ('one' - 'and'), you can divide that quarter note right into three '8th note triplet' notes - where each note of the triplet is the same length. The initial improvisation strategy is 'chord tone soloing', which indicates to make up melodies making use of the 4 chord tones of the chord (1 3 5 7).
I usually play all-natural 9ths over a lot of chords - including all 3 chords of the major ii-V-I. This 'chordal texture' sounds ideal if you play your right hand noisally, and left hand (chord) a bit more quiet - so that the listener listens to the melody note on top.
Just precede any type of chord tone by playing the note a half-step below. To do this, walk up in half-steps (with the entire chromatic scale), and make note of all the notes that aren't in your existing scale. Cm7 enunciation (7 9 3 5) with single melody note (C) played to fascinating rhythm.
Now you can play this 5 note scale (the incorrect notes) over the exact same C minor 7 chord in your left hand. With this method you just play the very same notes that you're already playing in the chord. Chord range above - half-step listed below - target note (e.g. E - C# - D).
The majority of jazz piano improvisation techniques piano solos feature a section where the melody quits, and the pianist plays a collection of chord expressions, to a fascinating rhythm. These consist of chord tone soloing, approach patterns, triplet rhythms, 'chordal structures', 'playing out' and a lot more.
