When it pertains to coming to be a great jazz improviser, it's everything about learning jazz language. So unlike the 'half-step listed below technique' (which can be outside the range), when approaching from above it sounds better when you maintain your notes within the range that you're in. That's why it's called the 'chord range above' technique - it stays in the scale.
So rather than playing 2 eight notes in a row, which would certainly last one quarter note ('one' - 'and'), you can split that quarter note into three '8th note triplet' notes - where each note of the triplet is the same length. The first improvisation strategy is 'chord tone soloing', which means to compose melodies utilizing the 4 chord tones of the chord (1 3 5 7).
I typically play natural 9ths over most chords - consisting of all 3 chords of the major ii-V-I. This 'chordal structure' seems best if you play your right hand loudly, Bookmarks and left hand (chord) a little bit more quiet - to ensure that the audience hears the melody note ahead.
It's fine for these units ahead out of range, as long as they wind up settling to the 'target note' - which will normally be among the chord tones. The 'chord range above' strategy - come before any kind of chord tone (1 3 5 7) with the note above. In music, a 'triplet' is when you play three equally spaced notes in the room of 2.
Jazz musicians will play from a variety of pre-written melodious forms, which are placed before a 'target note' (normally a chord tone, 1 3 5 7). First let's develop the 'right notes' - typically I would certainly play from the dorian scale over minor 7 chord.
KEEP IN MIND: You additionally get a good collection of steps to play, from 7 - 1 - 9 - 3 - if you wish to play a short scale in your solo. Nevertheless, to stop your playing from sounding foreseeable (and burst out of 8th note pattern), you need to differ the rhythms now and then.
So rather than playing 2 eight notes in a row, which would certainly last one quarter note ('one' - 'and'), you can split that quarter note into three '8th note triplet' notes - where each note of the triplet is the same length. The first improvisation strategy is 'chord tone soloing', which means to compose melodies utilizing the 4 chord tones of the chord (1 3 5 7).
I typically play natural 9ths over most chords - consisting of all 3 chords of the major ii-V-I. This 'chordal structure' seems best if you play your right hand loudly, Bookmarks and left hand (chord) a little bit more quiet - to ensure that the audience hears the melody note ahead.
It's fine for these units ahead out of range, as long as they wind up settling to the 'target note' - which will normally be among the chord tones. The 'chord range above' strategy - come before any kind of chord tone (1 3 5 7) with the note above. In music, a 'triplet' is when you play three equally spaced notes in the room of 2.
Jazz musicians will play from a variety of pre-written melodious forms, which are placed before a 'target note' (normally a chord tone, 1 3 5 7). First let's develop the 'right notes' - typically I would certainly play from the dorian scale over minor 7 chord.
KEEP IN MIND: You additionally get a good collection of steps to play, from 7 - 1 - 9 - 3 - if you wish to play a short scale in your solo. Nevertheless, to stop your playing from sounding foreseeable (and burst out of 8th note pattern), you need to differ the rhythms now and then.
