It's all concerning discovering jazz language when it comes to coming to be a wonderful jazz piano technique exercises improviser. So unlike the 'half-step below method' (which can be outside the range), when approaching from above it seems far better when you keep your notes within the range that you're in. That's why it's called the 'chord scale above' method - it remains in the range.

So instead of playing 2 eight notes straight, which would certainly last one quarter note ('one' - 'and'), you can divide that quarter note into 3 'eighth note triplet' notes - where each note of the triplet is the same length. The very first improvisation strategy is 'chord tone soloing', which means to compose tunes making use of the four chord tones of the chord (1 3 5 7).

For this to work, it requires to be the following note up within the range that the music is in. This provides you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be related to any kind of note length (fifty percent note, quarter note, 8th note) - but when soloing, it's usually applied to 8th notes.

It's fine for these units to find out of scale, as long as they wind up fixing to the 'target note' - which will usually be just one of the chord tones. The 'chord scale over' approach - come before any kind of chord tone (1 3 5 7) with the note above. In songs, a 'triplet' is when you play 3 evenly spaced notes in the space of two.

Jazz artists will certainly play from a wide variety of pre-written melodic shapes, which are positioned before a 'target note' (usually a chord tone, 1 3 5 7). First allow's develop the 'right notes' - normally I 'd play from the dorian scale over minor 7 chord.

Many jazz piano solos feature an area where the melody stops, and the pianist plays a series of chord expressions, to an interesting rhythm. These include chord tone soloing, method patterns, triplet rhythms, 'chordal textures', 'playing out' and a lot more.