Ready to improve your jazz improvisation abilities for the piano? Much more simply, if you're playing a track that remains in swing time, after that you're currently playing to a triplet feeling (you're picturing that each beat is divided into three 8th note triplets - and every off-beat you play is delayed and played on the third triplet note (so you're not even playing two equally spaced 8th notes to start with).
So as opposed to playing 2 8 notes in a row, which would last one quarter note ('one' - 'and'), you can split that quarter note into three 'eighth note triplet' notes - where each note of the triplet is the same size. The first improvisation strategy is 'chord tone soloing', which means to compose melodies using the 4 chord tones of the chord (1 3 5 7).
I typically play natural 9ths above most chords - consisting of all 3 chords of the significant ii-V-I. This 'chordal appearance' appears best if you play your right hand noisally, and left hand (chord) a bit more quiet - to ensure that the audience hears the melody note ahead.
Just precede any chord tone by playing the note a half-step below. To do this, walk up in half-steps (via the entire colorful scale), and make note of all the notes that aren't in your current range. Cm7 expression (7 9 3 5) with single melody note (C) played to intriguing rhythm.
Currently you can play this 5 note scale (the wrong notes) over the very same C small 7 chord in your left hand. With this technique you simply play the exact same notes that you're already playing in the chord. Chord range above - half-step below - target note (e.g. E - C# - D).
KEEP IN MIND: You also obtain a great collection of actions to play, from 7 - 1 - 9 - 3 - if you intend to play a brief scale in your solo. Nonetheless, Bookmarks to quit your having fun from seeming predictable (and burst out of 8th note pattern), you require to differ the rhythms once in a while.
So as opposed to playing 2 8 notes in a row, which would last one quarter note ('one' - 'and'), you can split that quarter note into three 'eighth note triplet' notes - where each note of the triplet is the same size. The first improvisation strategy is 'chord tone soloing', which means to compose melodies using the 4 chord tones of the chord (1 3 5 7).
I typically play natural 9ths above most chords - consisting of all 3 chords of the significant ii-V-I. This 'chordal appearance' appears best if you play your right hand noisally, and left hand (chord) a bit more quiet - to ensure that the audience hears the melody note ahead.
Just precede any chord tone by playing the note a half-step below. To do this, walk up in half-steps (via the entire colorful scale), and make note of all the notes that aren't in your current range. Cm7 expression (7 9 3 5) with single melody note (C) played to intriguing rhythm.
Currently you can play this 5 note scale (the wrong notes) over the very same C small 7 chord in your left hand. With this technique you simply play the exact same notes that you're already playing in the chord. Chord range above - half-step below - target note (e.g. E - C# - D).
KEEP IN MIND: You also obtain a great collection of actions to play, from 7 - 1 - 9 - 3 - if you intend to play a brief scale in your solo. Nonetheless, Bookmarks to quit your having fun from seeming predictable (and burst out of 8th note pattern), you require to differ the rhythms once in a while.