Ready to improve your jazz improvisation abilities for the piano? A lot more just, if you're playing a track that's in swing time, after that you're already playing to a triplet feel (you're picturing that each beat is split right into three eighth note triplets - and every off-beat you play is delayed and played on the 3rd triplet note (so you're not also playing two equally spaced 8th notes to start with).

If you're playing in C dorian scale, the wrong notes (absent notes) will be C# E F# G # B (or the notes of E major pentatonic scale). Half-step below - chord scale over - target note (e.g. C# - E - D). In this write-up I'll show you 6 improvisation techniques for jazz piano (or any tool).

I typically play natural 9ths above many chords - consisting of all 3 chords of the major ii-V-I. This 'chordal structure' sounds finest if you play your right-hand man loudly, and left hand (chord) a bit more quiet - to ensure that the listener listens to the melody note on top.

It's great for these rooms to find out of scale, as long as they end up resolving to the 'target note' - which will typically be among the chord tones. The 'chord range above' method - come before any type of chord tone (1 3 5 7) with the note above. In music, a 'triplet' is when you play 3 equally spaced notes in the area of 2.

Jazz musicians will play from a wide range of pre-written ariose shapes, which are positioned before a 'target note' (usually a chord tone, 1 3 5 7). Initially let's establish the 'correct notes' - usually I would certainly play from the dorian scale over minor 7 chord.

Many jazz piano solos include a section where the tune quits, and the pianist plays a collection of chord expressions, to a fascinating rhythm. These include chord tone soloing, strategy patterns, Bookmarks triplet rhythms, 'chordal appearances', 'playing out' and extra.