When it concerns ending up being an excellent jazz improviser, it's everything about learning jazz piano techniques language. So unlike the 'half-step listed below technique' (which can be outside the range), when coming close to from over it appears better when you keep your notes within the scale that you're in. That's why it's called the 'chord range over' method - it remains in the range.
So rather than playing 2 8 notes in a row, which would last one quarter note ('one' - 'and'), you can split that quarter note right into 3 '8th note triplet' notes - where each note of the triplet coincides length. The very first improvisation technique is 'chord tone soloing', which means to compose tunes utilizing the 4 chord tones of the chord (1 3 5 7).
For this to function, it needs to be the next note up within the scale that the music remains in. This offers you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be put on any kind of note size (half note, quarter note, eighth note) - but when soloing, it's typically applied to 8th notes.
Simply precede any type of chord tone by playing the note a half-step listed below. To do this, stroll up in half-steps (via the whole colorful range), and make note of all the notes that aren't in your present scale. Cm7 voicing (7 9 3 5) with solitary melody note (C) played to intriguing rhythm.
Now you could play this 5 note scale (the wrong notes) over the same C small 7 chord in your left hand. With this strategy you just play the same notes that you're already playing in the chord. Chord range above - half-step below - target note (e.g. E - C# - D).
The majority of jazz piano solos feature a section where the melody stops, and the pianist plays a collection of chord voicings, to an interesting rhythm. These consist of chord tone soloing, approach patterns, triplet rhythms, 'chordal appearances', 'playing out' and much more.
So rather than playing 2 8 notes in a row, which would last one quarter note ('one' - 'and'), you can split that quarter note right into 3 '8th note triplet' notes - where each note of the triplet coincides length. The very first improvisation technique is 'chord tone soloing', which means to compose tunes utilizing the 4 chord tones of the chord (1 3 5 7).
For this to function, it needs to be the next note up within the scale that the music remains in. This offers you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be put on any kind of note size (half note, quarter note, eighth note) - but when soloing, it's typically applied to 8th notes.
Simply precede any type of chord tone by playing the note a half-step listed below. To do this, stroll up in half-steps (via the whole colorful range), and make note of all the notes that aren't in your present scale. Cm7 voicing (7 9 3 5) with solitary melody note (C) played to intriguing rhythm.
Now you could play this 5 note scale (the wrong notes) over the same C small 7 chord in your left hand. With this strategy you just play the same notes that you're already playing in the chord. Chord range above - half-step below - target note (e.g. E - C# - D).
The majority of jazz piano solos feature a section where the melody stops, and the pianist plays a collection of chord voicings, to an interesting rhythm. These consist of chord tone soloing, approach patterns, triplet rhythms, 'chordal appearances', 'playing out' and much more.