When it comes to ending up being a fantastic jazz improviser, it's everything about learning jazz language. So unlike the 'half-step listed below method' (which can be outside the scale), when coming close to from above it seems much better when you keep your notes within the scale that you remain in. That's why it's called the 'chord scale above' strategy - it remains in the range.

So instead of playing two 8 notes in a row, which would certainly last one quarter note ('one' - 'and'), you can split that quarter note into three '8th note triplet' notes - where each note of the triplet is the same size. The very first improvisation method is 'chord tone soloing', which implies to make up melodies making use of the four chord tones of the chord (1 3 5 7).

For this to work, it requires to be the following note up within the scale that the songs remains in. This offers you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be related to any note length (half note, quarter note, 8th note) - yet when soloing, it's usually put on eighth notes.

It's fine for these units to find out of scale, as long as they wind up dealing with to the 'target note' - which will generally be among the chord tones. The 'chord range above' technique - come before any kind of chord tone (1 3 5 7) with the note above. In music, a 'triplet' is when you play 3 equally spaced notes in the space of two.

Currently you could play this 5 note scale (the wrong notes) over the same C minor 7 chord in your left hand. With this strategy you simply play the exact same notes that you're already playing in the chord. Chord scale over - half-step listed below - target note (e.g. E - C# - D).

Many jazz piano solos include an area where the tune quits, Bookmarks and the pianist plays a series of chord voicings, to a fascinating rhythm. These include chord tone soloing, approach patterns, triplet rhythms, 'chordal appearances', 'playing out' and a lot more.