It's all concerning learning jazz Piano improvisation course language when it comes to becoming a wonderful jazz improviser. So unlike the 'half-step listed below strategy' (which can be outside the scale), when approaching from over it appears far better when you keep your notes within the range that you remain in. That's why it's called the 'chord scale over' technique - it stays in the range.
So instead of playing 2 eight notes in a row, which would certainly last one quarter note ('one' - 'and'), you can separate that quarter note into 3 'eighth note triplet' notes - where each note of the triplet coincides length. The initial improvisation method is 'chord tone soloing', which means to compose tunes making use of the 4 chord tones of the chord (1 3 5 7).
I normally play natural 9ths above many chords - consisting of all 3 chords of the significant ii-V-I. This 'chordal appearance' seems ideal if you play your right hand loudly, and left hand (chord) a bit more quiet - to make sure that the listener hears the melody note on the top.
Just come before any kind of chord tone by playing the note a half-step below. To do this, stroll up in half-steps (through the whole chromatic range), and make note of all the notes that aren't in your current range. Cm7 voicing (7 9 3 5) with single melody note (C) played to interesting rhythm.
Currently you could play this 5 note scale (the incorrect notes) over the very same C small 7 chord in your left hand. With this method you just play the exact same notes that you're already playing in the chord. Chord range over - half-step listed below - target note (e.g. E - C# - D).
NOTE: You additionally obtain a nice series of actions to play, from 7 - 1 - 9 - 3 - if you wish to play a brief scale in your solo. Nevertheless, to stop your playing from seeming foreseeable (and burst out of 8th note pattern), you need to vary the rhythms from time to time.
So instead of playing 2 eight notes in a row, which would certainly last one quarter note ('one' - 'and'), you can separate that quarter note into 3 'eighth note triplet' notes - where each note of the triplet coincides length. The initial improvisation method is 'chord tone soloing', which means to compose tunes making use of the 4 chord tones of the chord (1 3 5 7).
I normally play natural 9ths above many chords - consisting of all 3 chords of the significant ii-V-I. This 'chordal appearance' seems ideal if you play your right hand loudly, and left hand (chord) a bit more quiet - to make sure that the listener hears the melody note on the top.
Just come before any kind of chord tone by playing the note a half-step below. To do this, stroll up in half-steps (through the whole chromatic range), and make note of all the notes that aren't in your current range. Cm7 voicing (7 9 3 5) with single melody note (C) played to interesting rhythm.
Currently you could play this 5 note scale (the incorrect notes) over the very same C small 7 chord in your left hand. With this method you just play the exact same notes that you're already playing in the chord. Chord range over - half-step listed below - target note (e.g. E - C# - D).
NOTE: You additionally obtain a nice series of actions to play, from 7 - 1 - 9 - 3 - if you wish to play a brief scale in your solo. Nevertheless, to stop your playing from seeming foreseeable (and burst out of 8th note pattern), you need to vary the rhythms from time to time.